Sir Arthur Elton was a pioneering documentary film maker, collector of material relating to the Industrial Revolution, and early supporter of the Ironbridge Gorge Museum Trust. His collection, which came to Ironbridge in 1978, has been described as ‘the best in Europe and perhaps the most important in the world’.
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An item from the Maw & Co. Collection in the Museum Library & Archives assisted conservators and researchers at Westminster Abbey in piecing together the history of one of their most celebrated treasures.
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This stunning section of an encaustic floor was almost destroyed by Nancy Astor, but survived and is now in the collection at Jackfield Tile Museum.
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The mid-Victorian period was the age of imitation and reproduction. Every style from naturalism to Gothic and Classicism was revived in art, furnishings, metalwork and ceramics.
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In response to the relatively poor British designs on display at the Great Exhibition of 1851, the 'Science and Art Department' was established by the Board of Education in 1856, in South Kensington.
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Many students at the Coalbrookdale School of Art already worked in the industries of the Gorge, including the Coalbrookdale Company, Craven Dunnill & Co. and Maw & Co. These companies often paid for their employees to attend art classes, to learn their craft and develop their designing skills.
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This collection covers the production period 1852 to 1969 in the working life of Maw and Co. Ltd. which was founded by George and Arthur Maw at Benthall, Broseley in Shropshire. By the late 19th Century, Maw and Co. had become one of the world's largest decorative tile manufacturers.
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